Femke Herregraven investigates which material base, geographies, and value systems are carved out by financial technologies and infrastructures. Her work focuses on the effects of abstract value systems on landscapes, ecosystems, historiography and individual lives. This research is the basis for the conception of new characters, stories, objects, sculptures, sound, and mixed-media installations.

She exhibited at Centre Pompidou, Paris (2015); Swiss Institute Milano (2015); CCS Bard – Hessel Museum (2016); Nam June Paik Art Center (2018); Tallinn Art Hall (2018); Riga Biennial (2018); Westfalischer Kunstverein (2018); Guangzhou Triennial 6 (2019); Stedelijk Museum Amsterdam (2019); Gropius Bau (2020); 12th Taipei Biennial (2021); 13th Gwangju Biennial (2021); Talbot Rice Gallery (2021); Kunstverein in Haamburg (2021); Art Encounters Biennial, Timișoara (2021); Centre Pompidou-Metz (2021); Nottingham Contemporary (2021); BAK (2021); Z33 (2022); Lubumbashi Biennial (2022); Reina Sofia (2023), 12th Seoul Mediacity Biennial (2023), Kunsthall Trondheim (2023), amongst others. She is an alumnus of the Rijksakademie van beeldende kunsten in Amsterdam, was nominated for the Prix de Rome in 2019 and won the Evans Art Prize 2023.